#FUJIFILM XS10 FULL FRAME MANUAL#

#FUJIFILM XS10 FULL FRAME MANUAL#

In our experience, it works better for stills than for video, and it is possible to take shots at shutter speeds as slow as 1 second with a wide-angle lens. Note that if you attach a Sony lens with optical stabilisation, the camera will use 3 axes on the sensor and 2 axes on the lens, and with adapted manual focus lenses, the camera will only use 3 axes. Working on 5 axes, it delivers 4.5 steps of compensation for both still images and movies with E-mount lenses that transmit EXIF data. The A7 II was the first A7 camera to feature IBIS. With effective IBIS, you can shoot hand-held in poor light down to 1 second (if you are very steady and with multiple attempts), reducing or even eliminating the need for a tripod. In-body image stabilisation (IBIS) has become a desirable feature to have on a camera because it allows you to use non-stabilised lenses – included manual focus glass – at so-called “unsafe” shutter speeds. It also comes with S-Log2 profiles and gammas that create a 1300% wider dynamic range and supports clean HDMI output (8-bit 4:2:2). (Note that if you use the optional vertical battery grip, you can gain access to an extended recording time of 30 minutes.). To alleviate possible overheating issues, the recording time has been capped at 10 minutes of footage in 4K and 15 minutes in Full HD.

It may be a surprise to learn that Fujifilm, a company that until recently showed very little interest in video, has implemented 4K capabilities in the Fujifilm X-T2. In the real world, the results aren’t so different since they both have a resolution of 24 megapixels but you may notice that you can achieve more shallow depth of field and push the dynamic range a little more with the A7 II. Whereas the A7 II has been given a full-frame sensor just like every other camera in the A7 series, the X-T2 has the most recent version of the X-Trans APS-C sensor (III) which is the same as that used for the X-Pro2. Thank you!Īs soon as you remove the lens mount cap, the difference in sensor size immediately becomes obvious. If you decided to buy something after clicking the link, we will receive a small commission. To know more about our ethics, you can visit our full disclosure page.

Within the article, there are affiliate links. We were not asked to write anything about these cameras, nor were we provided any compensation of any kind. If we get the chance to test the two cameras side-by-side, we will publish a full comparison with high resolution image samples.

Interested in finding out more about how these two models compare? Then let’s get started!Įthics statement: The information supplied in this article is based on official specifications, press releases and our personal experience with Sony and Fujifilm cameras. However, if we dig a little deeper, we soon discover that they target fairly different markets, as evidenced by the X-T2’s advanced autofocus and video capabilities and the A7 II’s large sensor and in-body stabilisation. In addition to having a weather-resistant SLR-like body and a large centrally-placed electronic viewfinder, both models incorporate a 24MP sensor with a 14-bit uncompressed RAW option and a hybrid autofocus system with contrast and phase detection points. A casual glance at the Fujifilm X-T2 and the Sony A7 II could lead you to believe that there isn’t much that sets these two high-end mirrorless cameras apart.

Fujifilm xs10 full frame